They also developed a tape counter for the Ampex MM1000 2" tape recorder-essentially an "autolocator," or remote control -which was so successful that Ampex made it an OEM product. A profanity delay lives between a broadcast studio and the air waves, allowing broadcast engineers time to catch and "bleep" obscenities before they hit the air-and before the broadcaster is hit with a fine from the FCC. It is worth noting that Eventide also had -and still has-its hands in a number of other markets, including profanity delays for broadcast. This article explores both the under-the-hood technology of the H3000 and the developments at Eventide that ultimately led to its creation, beginning with the truly groundbreaking H910.ฤก979 Eventide Clock Works Harmonizer H910
And while vintage units can be had at reasonable cost, rest assured that most of the H3000's algorithms have been ported to software plugins. Whether in its original yellow-on-black cosmetics, the iconic gray-on-blue, or the later D/SE and "squiggle font" D/SX incarnations, the H3000 is immediately recognizable in the racks of the finest studios and producers around the world. The H3000 was, in its designers' own words, "a multi-effects monster," combining Eventide's standard-setting, pitch-shifting algorithms (now fully diatonic and stereo), along with delays, a comprehensive library of modulation effects, and powerful reverb algorithms-all in a modular, upgradeable package. Around the same time, Eventide released what would ultimately become a multi-effects staple, the H3000. The Yamaha SPX-90 and Lexicon's PCM 70, both released in 1985, successfully adapted algorithms from their flagship products into devices at a price point that placed high-quality reverbs, delays, and modulation effects within reach of musicians and smaller studios. The reverb/delay effects that can used on instruments such as guitar and drums can create simple layers that are often used in pop music as well.The mid-to-late 1980s marked the beginning of what could undeniably be considered the golden age of digital multi-effects studio processors. This effect is well-suited for effects-heavy styles such as electronic music and progressive rock.
The harmonizer can also be applied to a synth in order to manipulate the initial output signal.
Many guitar players use the harmonizer in a rock setting to create a guitar harmony effect for leads or to add single-note passages to impart a harmonic layer to the section they are playing. What musical genres suit the Eventide harmonizer? You can make the Eventide harmonizer part of an effects rig in a live setting in order to use its effects during a performance. It can also be used as a plug-in during a mixing section, where you can apply a recorded audio signal and "re-amp" it with any of the effects that the harmonizer is capable of producing. You can use the harmonizer as a delay/reverb on an instrument such as a drum in order to obtain more echo in the sound. What are some uses for the Eventide harmonizer? The pitch-shifting effect can heighten or lessen an audio signal to suit the context of the musical setting. The dual unit that comes with the Eventide harmonizer lets you take an audio signal, duplicate it, and then pitch it differently, so it contrasts with the initial sound to create harmony. This creates a unique sound effect that can be useful for a multitude of musical settings. The envelope follower lets you manipulate pitches, whether to switch to a certain pitch or vary it multiple times within a certain time frame. The MIDI mapping feature allows artists to control and change the pitch and harmonization in real time, making it useful to duplicate certain sounds in live settings. Many features help the Eventide harmonizer create effects for multiple instruments. From snares to guitars to vocals, the Eventide Harmonizer is both distinctive and diverse in its performance. It serves as a supplemental effect to any instrument you pair it with. The Eventide Harmonizer, available new or used in a wide range of prices on eBay, is a useful addition to a guitarist's pedalboard. Create Sounds with the Eventide Harmonizer